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[OOM: In dreams.]
Dec. 3rd, 2006 11:43 pmINT. TENT THAT DREAMS OF BEING A STUDIO APARTMENT
The scene opens on the interior of Raph's tent as it exists at present, the scene is a desolate one. The camera pans through the space, starting with the front door flap and moving counter-clockwise through the space. As it travels through the living room/sitting area there is a brief pause to take in the one shred of magic still left on the roof: the Raph-shaped clean spot that claims the left-most cushion of the couch. The tour continues over the breakfast bar and through the galley kitchen, before coming to a halt on the remnants of what was once a bed.
Suddenly the alarm clock on the bedside table sputters to life, and the moonlight which bathes the room is augmented by the blue blinking display. The camera pivots to take in the face of the clock which blinks the time: 1:22 am. When it pans back to the bed proper, the bed is not only whole but currently occupied as well. A shirtless Human RAPHAEL lays on his back, his eyes closed.
The scene opens on the interior of Raph's tent as it exists at present, the scene is a desolate one. The camera pans through the space, starting with the front door flap and moving counter-clockwise through the space. As it travels through the living room/sitting area there is a brief pause to take in the one shred of magic still left on the roof: the Raph-shaped clean spot that claims the left-most cushion of the couch. The tour continues over the breakfast bar and through the galley kitchen, before coming to a halt on the remnants of what was once a bed.
Suddenly the alarm clock on the bedside table sputters to life, and the moonlight which bathes the room is augmented by the blue blinking display. The camera pivots to take in the face of the clock which blinks the time: 1:22 am. When it pans back to the bed proper, the bed is not only whole but currently occupied as well. A shirtless Human RAPHAEL lays on his back, his eyes closed.
